Friday, 10 May 2024

Sony TC-K75/TC-K81 Cassette Deck

Sony TC-K75 Cassette Deck

I bought this and received today as faulty - 'spares or repairs' quite cheaply off ebay.

 
Original Advert.


Rust and Corrosion at the Rear.

Heads and Pinch Rollers

Lots of issues, those currently known -

(1) The original switch arcing suppression capacitors had failed, these have been replaced.

(2) PSU has also failed? (reasons unknown),

(3) Capstan Motor plastic supports have broken, currently repairing them.


Cracked RIFA Arc Suppression Capacitors.
Replaced with 0.1uF + 120Ω snubber circuit.



Motor Supports: Had broken and now currently 'curing'.
Glue: 'Gorilla Glue'. 


The Condition of the Heads

These are Sony 'Ferrite & Ferrite' Heads.
Condition is very good.


10th May 2024.

______________________________________________


PSU Fault Detected  (11th May 2024)

From the electrically unsafe way the motor servo circuit board was situated at the rear of the transport, and the fact that the plastic motor support were broken, I sensed that the PSU had to deal with a short-circuit; possibly from a previous repair attempt, or from the breakage of the motor and servo supports?

With the TC-K75 deck switched ON, only the 5v rail appeared to be partially functioning?, while the 10v regulated rail was offering only 2.3v DC; clearly something was wrong.

Studying the circuit diagram reveals a number of fusible resistors which are employed as an alternative to fuses, combined with a convenient 'pull down' resistor. And sure, one such fusible resistor had blown - the R802!


A temporary solution to this was to 'wire in' a 20mm fuse holder with 200mA quick blow fuse. It worked, the 10v and 5v supply rails now work and the TC-K75 was brought back to life!

My initial fear was that the fault affected the main microprocessor - the NEC uPD547C, however this was not the case.


As a check, the DC current was monitored at about 67mA during PLAY mode - this is approximately the same current for many DC motors found on cassette decks.


As a precaution, the DC Motor Servo controller was electricaly isolated from the chasis, which I believe caused the initial short circuit!?

With the cassette deck now working - in Play/RW/FF and Record modes, I initially assessed the machine for basic overall functionality.


Auto Stop Failure

Later on, the TC-K75 had developed another fault - autostop was initiating for all modes. It transpired that either the infrared emitting LED or the infrared photo transistor had failed. New IR LEDs and IR photo transistors are currently on order - a temporary fix was put into place to confirm diagnosis.




The temporary fix was hoped to be a 'permanent fix', but since workable space and electrical isolation was not ideal, it became difficult to use the above configuration with confidence. Unfortunately, the IR light interrupter now also 'brushes' the phototransistor as it rotates.

Transport Rear Side

While waiting for the new LED/photo transistors to arrive, the flywheel back plate support was also strengthened using Gorilla Glue.





As extra caution, the motor servo circuit was further electrically isolated; solder side.


Later a quick test revealed that the motor is working well, as is the servo's ability to control motor speed. Wow and flutter figures were hovering somewhere between 0.03XX% and 0.04XX%, even with old pinch rollers and the original and old drives belts - I was very pleased!

Autostop Circuit Update (15/05/2024)

The IR LED and phototransistor order arrived today, so I began to work on the autostop circuit with components that made a better fit.

The Vishay TEKT5400S 'side view' IR phototransistor collector-emitter configuration suited the layout on this circuit board, but the Vishay BPV23F did not. I had to return a temporary IR LED to the circuit, which wasn't a problem.



The autostop works flawlessly.


Power Supply Unit

Although no problems have yet surfaced, the next task will be to re-cap, and possibly re-transistorise this unit. 

 

Sony CX174-1 Dolby IC Failure (20/05/204)

A few days ago, and after re-capping the PSU then later experimenting with coarse bias control at C154 and C254, the ability to record in the R-ch soon disappeared!?

After careful diagnosis it appeared that the front end of the CX174 IC had failed where the record head amplifier is situated. Readings of a DC voltage around -10v could be read at pins 14, 15, and 16.

This high gain voltage amplifier is seemingly configured in voltage-series feedback. The thought crossed my mind that I could 'piggy back' an external Operational Amplifier into the said circuit as a way to circumvent the problem.

According to the service manual the DC operating voltages at the non-inverting, inverting input, and output of the high gain amp of the CX174 should be '0v'. By '0v', I assume the service manual means a few millivolts or zero itself? Since the amplifier is ac-coupled only, then it should not matter?



A 'new' Sony CX174 Dolby IC has been ordered, and so while I wait, experimenting by inserting an external op-amp was anticipiated with interest.

The proposal was to alter the circuit as shown -


 
As I only have some LM741 and TL071 op-amps in stock, I could only use these.

The original pins of the CX174 were cut, and later on stripboard an 8-pin DIL socket was to act as the holder for the temporary fix.



Both the LM741 and the TL071 proved to be successful - recording can now be made in the R-Ch which appear to be just as good as they were earlier!

The one small caveat that surfaced, was the stripboard itself - for some reason the board is slightly conductable with a resistance across the board of over 500KΩ!? This dispite applying a insulation coating on both sides.

After the cassette deck had been on for 10mins or more, dc offset voltages at V+, V-, and Vout with respect to Ground begun to half their initial values. Offsets of around -19mV to -25mV for V+ and V-, and near zero for Vout were measured after about 15 minutes.

The DC offsets do not affect the AC performance of the amplifier, and there is normally provision on the op-amps themselves to 'null' this out.

Cross checking other CX174 ICs on this TC-K75 deck, and another external TC-K61 cassette player suggested that these offsets are normal.

Although this 'fix' works well, it is hoped that a 'new' CX174 IC will replace the original.

Under Biasing

One fact that struck me was that there appeared to be a degree of under-biasing for all tapes except Metal. Although this can be compensated for by switching to an appropriare higher bias switching, it is clear that this needs to be corrected.

The bias oscillator runs off a regulated '±9.4v' dc power supply which is separate from the main PSU. Indeed, control of the ac bias voltage oscillator (as supplied to the record and erase heads) is made via a dc potential divider network which then controls another voltage regulating transistor Q510 supplying the oscillator with controllable variable dc voltage. Measurements show that the regulated supply is -10.1v and 9.95v, which is good symmetrically.

However, the TC-K75's bias setting is not 'sitting' at the factory settings - Type I tapes are currently better served when the setting is for High Bias tapes!?

After much analysis, and some trial and error, the most productive solution was to remove the coarse bias capacitance trimmers C154/C254 and replace them with another set I had in stock. There wasn't anything particularly faulty with the previous setup, merely that turning the trimmers to achieve a maximum capacitance of 120pF was quite difficult. I'll look at these later.

Old C154/C254 Trimmer Capacitors Removed.
New ALPS Trimmer ready to be soldered in.

Before desoldering the current faulty Dolby CX174-1 IC and my 'piggy back' op-amp solution, the 'new' bias capacitance trimmer was tested. An additional 22pF was added in parallel per channel, yielding the higher bias required for normal operation of this deck.

An extra 22pF is added to the 20pF .. 120pF
offered by the C154/C254 trimmers.

Note: When adjusting the trimmer, care
must be taken - all screwdrivers must be
electrically insulated.


Why does Adding More Capacitance Work?

Adding more capacitance C, lowers capacitive reactance (or effective impedance) to the voltage bias frequency, allowing more ac bias current to flow from the oscillator to the record head.

Sony CX174-2 Dolby IC

De-soldering any IC can be a tricky process, and unfortunartely a little 'track lifting' occured, although hardly worth mentioning.

The 'new' CX174-2 was fixed into place using a 16-pin DIL socket; I wasn't going to 'chance' soldering an expensive IC.


Some small fixes and refinements are pending.

Tape Creasing Issue & Solution

Occassionally during Play I could hear and see tape being creased as it moved from one capstan to the next. The resulting audio would fade in the right channel and then reappear.

This was resolved at the end of the restoration project - the creasing or 'pinching' would crease the tape but only with some tapes, not all.

The problem appears to have solved by replacing the back tension felt pad with a fresh pad - no more tape creasing! 

Meter Display Failure

The MSL9351 LED meter display driver IC failed, quite possibly as a result of a short circuit as I returned the cassette transport back to the chasis. The failure didn't occur immediately, but some time later, so I cannot be certain. The problem with these decks is that - they were never designed with 'servicing' in mind, everything is so cramped.

Diagnosing the fault led me to checking the logarithmic amplifier (for the meter display), and the half-wave rectifier (which yields a DC 'record level') for the LED meter display unit. All indications were pointing towards the LED driver IC - the MSL9351.

Luckily I had a spare MSL9351 display IC in a 'parts machine'; the TC-K44.

Just previously, I replaced all LED driving PNP 2SA952 transistors with OnSemi KSA1015-GR and one 2SC1364 with a C1815-GR P33. Both replacements were all I had in stock as a direct replacement, both should be good for a short while, even though their maximum collector current ratings are just 150mA each. I will later change the KSA1015-GR for KSA1013 or perhaps a BC327-40 PNP, or similar when I have them in stock.

Studying the circuit revealed that each PNP driver transistor sources current for between 1 and 8 LEDs. A crude calculation of the LED's current demands is as follows: Id ≅ { (5v-0.25v) - 2.6v - Vdiode }/68Ω. If Vdiode(ON) ~ 1v (it's probably more), then we can expect that each diode will demand about 17.6mA, although I'm more inclinded to think Id will be about 5mA .. 10mA from experience, as these LEDs are not bright. Incidentally, if Vdiode(ON) ~ 2v, then Id ~ 3mA?




Assuming a worse case scenario where 17.6mA is the highest current demand for each LED, and then multiply this by 8 'ON' LEDs, then collector current for either Q603/Q604/Q605/Q606 is approximately 8 x
17.6mA or 141mA.


Original Sony MLS 9351 failure



Desoldering Stage


'New' MSL 9351 soldered in.
Conformal coating applied.


Fascia of TC-K75 minus LED Meter



Display Unit Returned
(prior to re-connection)
Original shielding plate has been removed.



Result? - success, the display meter now works! The cassette deck is now up and running. However, before proceeding, I shall wait for my new LED driver PNP transistors which have a Ic rating of 800mA/1000mA.

Currently on order: BC-327-40 PNP, and BC-337-25 NPN transistors.


New Meter Display Transistors (30/05/2024)

The said board has now been populated with PNP BC327-40 transistors - note the pinout is different from the original 2SA952.




Dolby Right Channel Error in Playback Mode

It is now apparent that the Dolby IC CX174-1 isn't working properly in the right channel. At first I wasn't sure if the CX174-1 had failed in this area, but all checks have lead me to this conclusion - replacing all capacitors and re-checking all resistor values around the CX174-1 did not change anything.

Two seperate R-ch/L-ch CX174s are involved in recording. Recording with the Dolby encoder on appears functionally correct since this has been verified by playback on other cassette decks. Indeed, an additional check of recording monophonic white noise at a low level (≅-20dB) and then checking playback (with Dolby OFF) does raise and lower the said white noise especially at high frequencies in monophonic form.

Another Sony CX174 IC will be on order soon, but in the mean time both left and right channel playback CX174 ICs have been de-soldered, and temporarily replaced with two 16 pin DIL sockets. The purpose of this is to identify which of the two ICs is definitely faultly, and allow for easier extraction and reinstatement of the said ICs.



I originally thought the left channel was faulty, with additional indication of a spurious offset DC voltage at Pin 13 appeared at approximately -22mV. This is not present on the other right-channel CX174, only some -1.3mV. More importantly this difference in offset doesn't appear to affect anything?



Once the 'new' CX174-2 arrived I opened up the deck and incorrectly put the new IC in the left channel socket, but it wasn't the left channel that was faulty - it was the right channel! Leaving the 'new' CX174-2 in place I swapped the two 'old' CX174-1 chips and very carefully returned the working IC to the right channel socket.
Dolby decoding is now fully working!



New Pinch Rollers
 
Although tape travel was good, I still wasn't 100% confident that tape crease would not occur, especially for thin tapes like that typically found in C120s.
 
In this example of the TC-K75, evidentally the take-up reel table was exerting (too?) much torque for the pinch rollers to deal with. Although difficult to prove, there seems to have been a measure of micro-slip randomly occuring. This sometimes resulted in thinner tapes being incrementally pulled through especially on one side. The result of which was that the tape began to 'run' sideways, ie running up and down the supply tape guide.

The take-up reel's torque is generated by a concealed brass driver turning a rubber idler, and this was possibly excessive - cleaning it made little difference. I decided to 'wet' the said idler with some silicone grease - this worked much better than anticipated. The reduction in torque was noted and the tendency of the transport to crease the tape almost vanished. However, replacing transport pinch rollers was still deemed necessary.
 

 



As with most cassette deck transports, fitting new pinch rollers is not easy - great care and patience is required.

For this TC-K75, the supply pinch roller is 11mm x 8mm x 2mm, and the take-up pinch roller is 13mm x 8mm x 2mm. Although on this occasion I have used a 13.5mm diameter roller so that capstan to pinch roller pressure is slightly increased. {Later revision: Sept 2024, I later returned a new 13mm pinch roller back to the take up side, no reason, other than it's the same size as the original}
 
Warning: a 13.5mm diameter roller may carry risks as the clearance between the roller and the roller holder is only 0.5mm. So I'm not recommending this roller to the reader - a 13mm diameter roller is the default (as found in this machine) and so assumed correct size.

Before continuing, an adjustment of the supply guide is required - the guide must be set so that the edges of the tape during PLAY do not touch the walls of the guide. It is a procedure involving some trial and error. Difficulty was further made as the cassette loader and holder had to be removed during alignment.

If I have one criticism of this transport it is this - there is no provision to adjust capstan to pinch roller pressure, it is simply set by a tension spring.

Tape flow was later observed for any signs of the tape sheet wavering or slightly buckling as it entered the supply capstan/pinch roller compression line. All is good!

Fifteen Minute Wow & Flutter Testing

Source: ABEX 3.15Khz Full Track.


Fifteen Minute Speed Drift Test




Other Images




Testing the new pinch rollers on a 'test' C120 tape.

The TC-K75 is working very well.

12/07/2024.

Saturday, 24 February 2024

The NAD 6040 Cassette Deck

The NAD 6040 Cassette Deck


Purchased off ebay UK, it was clear that this machine needed attention. As always, buying an old machine is always a risk, but I think this risk was worth it since the price was low.
 
Faulty Meters: After opening up the deck, it was found that both meters were faulty. I was aware of this possibility after questioning the seller, but I still decided to take the risk.

On inspection, the left meter dial loading spring had buckled, and the right meter dial loading spring had also buckled, but this meter had also developed an 'open circuit'. Both meters were beyond restoration, so an alternative had to be found.

I had some ideas regarding digitizing the VU meter display, but realizing this was going to be difficult and time consuming, it was decided to drop the idea and search for an exact-fit VU meter replacement.



Original Advert Picture



Original VU Meter with Fascia Removed
 
I came across a set of Chinese made VU meters that were a near exact fit, except for the fascia. The fascia of the original meters had a 'short drop' display, and with this in mind I took another chance and bought these meters, believing that I could swap the fascias. And yes indeed, this proved to be the case - so now I have a set of new VU meters for my 'new' NAD 6040 cassette deck.

The idea of swapping old for new numeric display inserts crossed my mind, but soon realized that the two scales didn't match very well, especially around -10dB and -20dB.
 
Although the meters fit perfectly, I did notice that the numeric display is unfortunately a little high, perhaps as much as 2mm? Still, this is infinitely better then no solution. In fact, I could have intervened here, but doing so may have compromised the meter's long term operating life?
 
Illumination:

The next problem was to establish suitable alternative light. The previous configuration projected light from behind the original meters, but this proved unsatisfactory since the display appeared too vibrant, almost fluorescent in appearance.
 
Shown below is the new VU meter display and the lighting that I eventually settle for, an explanation of what I did follows later.


NAD 6040 with New VU Meters.
Illumination is from under the meters.

(Long exposure photography)



NAD 6040 with new VU Meters.
Illumination is still from under the meters.
(Flash exposure photography)


Manufacturer Meter Specification
135uA FSD, and 650Ω internal resistance.

VU Meter Lighting and Assembly

Once the new fascia was removed, and the former re-employed, the next task was to find some suitable lighting. There was indeed a degree of trial and error methodology at work here, but finally settling for the following configuration.

Here strip-LED-lighting cut to length, wired, and a suitable DC voltage drop from the unregulated motor DC supply, to give just the right amount of lighting. All LEDs are deliberately running at much less than rated current of 20mA, typically about 5mA - 6mA for each of the six LEDs.




Alternative VU Meter Lighting
Strip-LED is at the base of both meters.


To facilitate this new VU meter lighting, the power supply unit had to be modified slightly.

Modified PSU Unit.
PSU was re-capped, additional fuses inserted
into the two secondary winding circuits, for
(a) DC motor and 'new' LED lighting, and
(b) Audio/bias PCB.


Modified PSU Circuit Diagram for the NAD 6040

  • Additional Fuses: Quick Blow (500mA provisionally)
  • Smoothing Capacitor C304: was 2200uF, now 3300uF, voltage rating is higher than 25v.
  • LED Circuit Series Resistance: 330Ω, 2W rated, but even a 1 watt rating will be okay.

Take-up Spool Issue

There was insufficient torque developed by the take-up spool which was accounted for from the lack of driver-to-idler friction. This was resolved by putting the cassette deck into Play mode, 'roughing up' and thus 'cutting' into fresh rubber, the idler tyre with fine sand paper. Any debris resulting was cleaned up, and the idler was later carefully cleaned with IPA, and then later again treated with Rubber Renue.

All other gears and frictional pulleys were cleaned, again with IPA.

All relevant mechanisms were cleaned and lubricated.
There are no signs of cracking plastic - good!

Record/Playback Head

The record/playback head works well, but does show signs of wear on its face. Any resetting of azimuth is out of the question, since the wear grove will probably influence any future azimuth adjustment. So either the head will be lapped, or a replacement will be fitted.

At the time of writing, the original head has been removed.

Head inductance estimated prior to lapping: L-Ch ~ 90mH, R-Ch ~ 83mH. All estimated at 1Khz.


Original NAD 6040 Record/Playback Head Before Removal.


Record/Playback Head Removed


The Original NAD 6040 Record/Playback Head
To be lapped.
There is more head wear and corrosion
than this photograph is suggesting.


Lapped Record/Playback Head

Although I have a small stock of record-playback heads with Metal tape capability, and so could have directly replaced the head, getting the original head lapped was the preferred option. The head was successfully lapped by https://www.summertone.com.
 

 
Once the head was tested for Left/Right channel inductance changes - no significant variations between before and after lapping were found, and so the head was reassembled. Azimuth was provisionally set, and other matters concerning this deck now followed.

Head Height

Only just discovered that the default shim is raising the record/playback head too high. This became apparent when I could hear music in the right channel, deep into the erase noise on the other side (actually the other half) of the tape, but this time playing backwards. The default shim appears to be too thick. In fact when I first observed the said shim, this was my immediate though. Was this the original shim as NAD intended?

This will be resolved later.
 
 
Biasing Problem
 
It became apparent that biasing the NAD 6040 for a reasonably flat frequency response from 1Khz to 10Khz at -20dB (ref: Dolby Level) was difficult. The bias trimming potentiometers could not set the bias low enough to obtain a reasonably flat response to 10Khz.
 
Examining the biasing circuit there were a few options available - change (a) C162 and C262 capacitances (250v or higher rating) to lower values (say 100pF), thus increasing their impedances, or (b) replace with an increased R315 value to supply the bias oscillator with a lower DC voltage. The objective was to effectively lower the amount of high frequency bias voltage, or more importantly - lower bias current.
 
Initially I changed the already 220pF C162/C262 in circuit for 100pF, and although this partially worked, it wasn't enough.

Later, inspecting the DC voltage dropping R315 resistor for the bias oscillator, revealed that during the assembly of this deck, the NAD production line had made a mistake?!

According to the service manual R315=510Ω, but in its place was 390
Ω?  This was the reason why I could not bias Normal (Type I) tapes properly.

Since I have a large stock of 470
Ω (1/2 watt) resistors, these proved to be a suitable replacement. The result of this was that I could now bias the deck so that provisionally the record/playback response goes past 10Khz to >16Khz at -3dB, reference 1Khz.
 



Head Height 

Returning to the head height issue, it was clear that the inner most channel (the right channel) was too high causing some low cross talk interference with the adjacent right channel. Although this cross talk was low, it could be sometimes heard if one side was unrecorded.

After thinking about this, it was decided to lower the plastic head height post on the head assembly in very small increments. Sanding down that said post down by several tens of microns was seemingly the only option?

New Rec/PB Head

There's no doubt that this was proving to be successful as the cross talk lessened each time. However, it came to the point where I decided to  change the head completely - this time cross talk was so low it was barely detectable. Here subjecting the tape to a 333Hz test tone at about +10dB (Ref: Approx 160 nWb/m DIN), the tone could just be heard in the right channel buried deep into the noise - this was as good as it was going to get.

Lowering The Head Post
Photo taken during several careful stages of 'sanding'


New Metal Tape Compatible Record/Playback Head

With the new head finally soldered in, the correct head height, and  azimuth had to be established. This was achieved using my home made Nakamich DR10 made 3Khz reference tape. The process of establishing correct height is a time consuming process of trial and error where various or multiple shims are placed between the head post and the base of the head platform on the right hand side. Here in this initial photograph, there no shims inserted.


With the plastic head height post 'sanded down' by a fraction of a mm, the highest output was achieved using just the one (ironically original) shim. Azimuth was set using an ABEX 10Khz full track reference. The entire head and path were demagnetized before reference tapes were used. Many of the calibration settings that followed were still only provisional.
 
Head Depth

During Play operation, I sense that the depth of the head into the cassette is a little excessive. This I believe also applied to the original head?

Later I will have to carefully ream out a groove in the head support base holes of about 0.5mm ... 1mm in the direction of forward head movement to effectively lessen head depth during Play.

Revised Head Depth

With the locating holes on the platform of the record head 'reamed' slightly to facilitate less head penetration during Play/Record, and with the original shim in place, finally thoughts turn towards calibrating this machine.

Provisional Frequency Response

With the bias circuit modified again to its original factory state from the changes previously mentioned above, a frequency record/response curve was determined using a TDK D46 cassette tape.

On the application of White Noise during record at approximately -20dB (Ref: Dolby Level in this case), the playback plot is shown below.
 
Fast Fourier Transform Plot
of the NAD 6040 Cassette Deck.
PB response is approximately to 15,000Hz,
at -3dB, reference: 1Khz.


Total Harmonic Distortion (on TDK D46)

For an estimation of THD (Total Harmonic Distortion) at 1Khz, a recording was made at Dolby Level, then played back at a level of +1dB above Dolby Level we examine the following Fast Fourier Transform plot -


As can be seen, only the 3rd harmonic dominates, which is very convenient.

This greatly simplifies the expression for THD.

Generally Total Harmonic Distortion is defined as ...



Where V1 is the fundamental frequency, and V2, V3, V4 etc, are harmonic distortions of V1.


However, since it is only the 3rd harmonic we are considering, this simplifies to just THD ~ V3/V1 or THD ~ V@3Khz/V@1Khz.

From the Fast Fourier Transform capture, the Third Harmonic lies at approximately -12dB below the 1000Hz test tone which is at +36dB on this scale. Therefore, this difference is ~ -48dB, and so the THD can be estimated from ...

-48dB = 20⨉LOG(V@3Khz/V@1Khz)

or

10^(-48/20) = V@3Khz/V@1Khz
 
or V@3Khz ~ 0.004×V@1Khz
 
That is, THD ≅ 0.4% at +1dB playback above Dolby Level


VU Meter Amplifier Revision

The gain of the AN6552 OP Amp was modified slightly to allow the VU Meters to be calibrated to '0' at Dolby Level. This small revision gave me about an extra 3dB of voltage output for the meters, which is what was required.


Wow & Flutter and Speed Drift

With a belt 70-72mm in diameter, and 3.5mm in width, early wow and flutter figures were determined over a period of about 9 minutes. The belt was from my stock, not necessarily the one I'll finish with, so it's provisional. (Later discovered that 4mm wide belts tend to get thrown off - they are simply too wide!)

The wow and flutter, and target speed figures are based on a ABEX 3.15Khz full track test tape. Target speed is 3150Hz, the deck was set to around 3155Hz, and drifted to an estimated 3165Hz in about 10-15 minutes, that equates to 0.16% and 0.48% fast respectively, assuming the ABEX tape is precise.




DC Motor Swap

Despite the fair-to-good wow and flutter figures I could still hear occasional very slow-moving speed changes, something that was not going to be detected by the wow and flutter program WFGIU.EXE.

It was decided to disassemble the original and swap it for a NOS Mabuchi ED-550L 12DC, 2400 rpm motor with internal speed controller.

Since sourcing a 2400 rpm, 12V DC brushed motor with 2.5mm shafts is very difficult, the problem here was matching a 2.5mm centered-hole pulley to a 2mm motor shaft. Some reliable adaptation had to made between the new Mabuchi 2mm motor shaft and the 2.5mm centered-hole pulley.

Experimentally, a 2.5mm outer diameter brass tube was cut to length and this was carefully 'hammered' into the original pulley. Next this new adaptation had to be fitted to the 2mm Mabuchi motor shaft. It was a close fit, but not tight enough, and so experimentally the motor shaft was bonded to the inside of the brass tube, which already had the pulley fitted.

After allowing 10 hours for the bond to 'cure' (24 hours recommended), the NAD 6040 was temporarily tested for speed stability, and wow and flutter.



New Mabuchi 12DC, 2400 rpm Motor.
Original pulley fitted via 2mm to 2.5mm adaptation.
So far - very stable, pulley movement is very concentric.
Note: the glue expands as it 'cures'.




Original Pinch Roller Returned to the NAD 6040

Wow and flutter figures continued to be too variable and unpredictable for my liking, and later they even increased significantly from the above figures.

Observing close-up the 'new' pinch roller, I discovered that the said roller's rubber surface was oscillating back and forth along the line of the capstan as it turned!

So again, I had to open up the deck and re-fit the original roller, followed by 'sanding down' the roller, and then cleaning off the residue with IPA.

What happened next surprised me - the wow and flutter figures fell to under a mean value of 0.087% wrms. It seems the newly bought roller was substandard!? (No, I later
discovered that the pinch roller 'tyre' was not seated correctly on its rim, the imperfection was tiny, but enough to cause wow/flutter disturbances)


Original (and 'sanded') Pinch Roller Returned
Mean wow & flutter: ~ 0.087% WRMS.
Observe: increased dispersion in wow/flutter with time.
Possible cause - no apparent back tension on the NAD 6040?
Therefore, as the supply reel 'empties out' it loses mass,
thus less inertia, and less 'drag'.

Finally, the restoration is complete, a summary may follow later.


cassettedeckman@gmail.com

*This write up may be subject to alterations, corrections, and additions without notice. 24/03/2024 

Revision: (08/04/2024)