Friday, 30 October 2026

Nakamichi 600 Cassette Deck

Nakamichi 600


This is the original 'Mark I' which I bought off ebay. Purchasing a 'spares or repair' machine is always a risk, which is why I never pay 'top money' for anything.

Many ebay sellers just want your money, and care not if you're unable to fix the deck - so be aware readers. With that in mind, I especially enjoy and make a point to inform them that I've repaired the deck.

Some of the Repairs

Repairs are many, and what follows was not necessarily the order in which several repairs were made to this deck.

Initial problems -

  • Seized DC motor
  • Pinch roller had slightly hardened surface
  • Heavily worn record/playback head
  • Heavily worn erase head
Strangely, for a deck of this age, the drive belt was fine, although it will be changed later.

The initial motor seizure was relatively easy to deal with as I just freed the frictional neck by applying switch cleaner on to the pulley-side bearing, and 'worked' the pulley until the motor was free. Then after cleaning the neck, ISOFLEX PDP65 oil was liberally applied to the said bearing, and the motor was up and running.

Many hours later in the repair cycle, the DC (FG) motor was opened up and serviced.

The Rotor: Be aware of the spacer or washer left-side which is hidden from view. It is very easy for this to get trapped inside the permanent magnet chamber in the second picture.


The bearing on the brushes side of the assembly was very dry, and so again ISOFLEX PDP65 oil was injected into the bearing cavity. At this point a spacer was lodged (out of shot) into the stator chamber where sits the permanent magnet.

For a 50 year cassette deck that has seen many hours of use, the brushes appeared not to be heavily worn.


Carefully returning the motor to its casing.
 


It is important to carefully re-assemble any such motor - we want the least possible internal friction for the servo controller to work the motor. So my advice is to: re-assemble, and before tightening the three screws that secure the left-side cap, spin gently the motor shaft and 'feel' for the least torque load on your fingers and thumb. Then incrementally tighten each one in turn until the whole unit is done. 
  • Free-running, zero load on motor, no belt etc: Im ~ 35mA/36mA (from a cold star, but will rise a little as it gets warmer) Good!
  • PLAY action + No Cassette: Im ~ 65mA /66mA (cold start), Expected range!
  • PLAY action + a slightly frictional cassette: Im ~ 71mA ... 80mA or higher {From cold start, and depends on the cassette and spool tape mass} Expected range!
Worn Record/PB Head

It was obvious that the head was worn from the playback level, but moreover - the lack of treble in the audio. As a quick check I demagnetised the heads and later adjusted the azimuth just to see that this wasn't purely an azimuth issue, and so it proved to be so.

Disassembled head with wear grooves.



There were two options - lap this original head or find some replacement. 

However, a 'straight forward' replacement isn't so easy to find, there are probably few or zero amount of NOS Nakamichi heads out there on the internet so I was stuck.

In my stocks of various electronic artefacts, I had a Sony head that would fit, it had a short penetration depth unlike most other possible options. From memory its inductance was comparable, and so this would disturb too much the bias oscillator resonant frequency.




The Sony head proved very successful, although it lacked playback sensitivity. I could easily achieved 30Hz ... 19Khz within +- 3dB (Ref: -20dB 160 nWb/m DIN standard) after a record/playback session. Truthfully, I was astonished by this amazing response, especially from the Sony head, which was originally from a Sony TC-K44 and lapped,

However, just now and then the pre-amp would become unstable with very low frequency oscillations of the order of about 5Hz, yes five cycles per second. This instability could begin after 50 seconds or 50 minutes! 

At first I thought this issue may have some instability within the pre-amplifier? After all, there had been some re-capping done within the pre-amp before I bought it.  Since I had not played the deck for long with the original head fitted, I could not determine for certain if this was a pre-amplifier issue or not?

I was at a loss to find what the exact cause was, and after lapping the original head, I returned the Nak head to its original owner - this Nakamichi 600. Finally, no instability!


You may notice the two small 'pits' close to the gap on the right channel. They could have been there before lapping?



Provisional record/playback frequency response measurements also returned surprisingly great results: 30Hz to 19Khz +-3dB at the theoretical 160nWb/m DIN level.
 
Pinch Roller (
13mm x 8mm x 2mm ): The reader will have noticed too that the pinch roller had already been replaced. Incidentally, there is apparently only one compression setting available between pinch roller and capstan.

Record/PB Multi-switch 

As this is an old deck, I thought it prudent to remove and clean the record-playback switch. These almost always require some intervention, at the very least the application of a switch cleaning spray solution.

This is a very time consuming and delicate job.

First, removal by de-soldering. (Note - the circuit board 'patches')




The sliding contacts were cleaned with switch cleaner solution and a soft glass fibre brush.



Care must be taken at all stages.


Erase Head Problems

At the time of writing this has not yet been resolved.

Although full erase for Type I tapes is excellent, Type II is more problematic. I first noticed this since the left channel would not fully erase - there was, and still is a periodic resurfacing of sound in the left channel. Studying the erase head reveals that the erasure track fully covers both L/R channel record tracks, so probably no erase head height issue there.

Closer inspection revealed another story however - severe wear on the erase head!


Both ferrite and the plastic surfaces are badly worn, and since Type II tapes require a substantially higher erasure B-field strength, then perhaps it is not that surprising that full persistent erasure is not happening? The effective cross sectional area is being reduced and with it the relative permeability of the ferrite. 
  
Lapping an erase head isn't that easy since we are dealing with two different materials - both of which will have different wear coefficients.

Initial inductance of the worn erase had was estimated at 78uH, and post lapping approximately 73uH.

Post lapping improved erasure, but it has not eliminated it.

Alternative Erase Head

A direct replacement would be desirable, but it is highly unlikely. So another is sought.

Neglecting fitting issues for the moment, most cassette deck erase heads I have measured possess an inductance between approximately 800uH and 1200uH.

As these figures stand, they are useless as a replacement for the Nakamichi 600 for at least one good reason - oscillator resonance.

At the heart of the oscillator is the L302  ferrite cored transformer which was removed and examined 'offline'.

Unloaded, the primary or transistor side had an inductance of approximately 272uH, and the secondary or 'tank circuit' side, 585uH. Both sets are variable by turning in, or turning out the ferrite 'slug'.

This oscillator circuit has a single erase head bias current setting for both Type I and Type II tapes - which means the field strength is the same regardless of tape setting.

The Original Service Manual Schematic






Solder Side 



'Unofficial Patches' refers to direct soldered links found on the solder side of the board.

Resonance: A good estimate of the resonant frequency of the tank circuit can be got from the equation ... 



Where C315 = 39nF, and L is the effective inductance of the secondary windings and the erase head. The record head inductance has been ignored (approx 70uH) since that 'tapping' and circuit is also highly resistive. 

Without proof, the effective (non-mutually coupled) inductance of two coils is given by



Here we have 1/Lt = 1/585uH + 1/73uH or Lt = 64.9uH.

So then, we can expect the secondary side to oscillate at approximately ... 

f(osc) = 1/ {2*pi*Sqrt(64.9uHx39nF) 

or 

f(osc) = 100Khz.

If a 'new' erase head is going to be fitted, it will need an effective inductance in the region of 60uH ... 85uH. The final oscillator frequency can be 'fine tuned' using the ferrite 'slug' in the transformer.

From measurement, the 'old' erase had an inductance of 73uH which at a measured frequency of 106,000Hz offers a calculated impedance of around 2*pi*106,000*73/10^6 or 48.6 ohms.

The high frequency bias voltage was measured under the original erase head 'load' and was found to be 18.6v rms.

Translated, we obtain the working bias current Ibias.

Ibias=18.6/48.6 amps or 383mA.

This is the rms erasure current working to erase the tape, it is quite a high value, much higher than found in other cassette decks.

There is some heat generated by this 'large' current, part of it will generated from I^2R losses, and swirling eddy currents in the ferrite. 

Based an an estimate of head resistance to be about 2 ohms, I^2R losses alone will generate (0.382)^2*2  or 0.3 watts. And that doesn't include eddy current and skin effect generated thermal activity.

The 300mW doesn't look much on paper, but consider the small size of the erase head. Surely over time, this will have had an impact on the softness of the plastic and ferrite area sections? Hence the excessive wear?   

Potential Erase Head Replacement

The original erase head is still in circuit, operating normally and successfully for 'Normal' or Type I tapes.

For a replacement to work, it will need an inductance of about 60uH to 85uH as stated above, and is able to erase the tape with its generated magnetic B-field.

Alternatively, another head could be employed with higher inductance, providing of course that the tank circuit still works on the original C315 = 39nF and an approximate and effective 60uH to 80uH inductive load. 

I have ordered an erase head with L ~ 390uH and DC resistance of about 2 ohms.

Alone this won't work, but if a dummy load in parallel can be found to make 60Uh to 80uH, then there is a chance of success.

Again, we use 1/Lt = 1/L1 + 1/L2

Here, our Lt is chosen at 75uH (say), and the dummy load (in parallel) L1 = 390uH.

So then ...    1/L2 = 1/Lt - 1/L1, gives 1/L2 = 1/75 - 1/390 or L2 ~  93uH.


So, if indeed this 390uH head can be sourced, and fitted correctly (inc modifications), then the bias erasure current that the new head will 'sink' will be given by the current divider rule ...

                                    Ibias = 0.383  x 93/(390+93) or 74mA.



Sufficient Bias Field
: If and when this head is fitted, will it generate enough field strength to erase Type I and Type II tapes with 74mA AC rms?

Many high impedance erase heads erase their tapes with much lower currents than the 383mA calculated above.

For example, the erase head on the Sony TC-K44 has an inductance of 796uH, and for Type II erasure, the quote rms voltage is 32v.

                        Ibias = 32/{ 2*pi*105,000*796 x 10^(-6) } = 61mA.

So there is hope that this idea may work, we shall see.

Alternative Tank Circuit Capacitance

Another option is to fit a new erase head in circuit, but lower the value of C315? However, the potential problem still remains - can the transformer's output voltage of 18.6v rms drive enough Ibias  current, hence field strength? 

Additionally, I suspect under an effective higher impedance load, the high frequency bias voltage will be a little higher than 18.6v rms, perhaps closer to 20v rms, since the overall load will be less?

{Subject to modifications without notice}
01/11/2026

Possibly more to follow ...











Sunday, 6 September 2026

Nakamichi CR2 Cassette Deck

 Nakamichi CR2 Cassette Deck

 
Saw this going on ebay relatively cheaply, but not without concerns or probable faults.
 
 
The usual scratches were noted, but my main concern was the 'dead' left channel; so what was happening?

Before the 'dead' channel was investigated properly, I needed to clarify if the faulty channel was in the audio chain or just part of the LED meter circuit? After putting in a test cassette, audio was confirmed in both channels, leaving the LED meter circuit to be looked at later.

Transport

The transport appears to be near identical to the the BX-150E, although at this moment I cannot confirm 100%, possibly more on this later.

{This section is to be written up later}

Dead LED Meter in Left Channel

Initially I suspected the meter IC TA7612AP, or one of the two 1N4148 signal diodes that facilitate signalling to the TA7612AP.

By default the meter displays the -30dB segment as 'ON', but this was only active in the right channel. To check that the above IC wasn't failing I swapped the two signalling diodes and found that the left channel was okay, this time the right channel was inactive. So the problem was not the TA7612AP LED driver.

Studying the 'Meter Amp' was a little confusing at first as it appeared that both left and right channels (post meter processing) shared just one line to the LED meter system. At which point I realised that this was a rather unique way of managing the metering system. 

Nakamichi had designed a simple Time Division Multiplexing 'TDM' system to manage audio level monitoring.

The principle is to allocate each channel a segment of time to a single transmission line which is syncronized at both ends (from meter amp, to LED meter circuit) by a 50Hz/60Hz 'clock'. The source of that clock is of course - a secondary tapping off the transformer. 

It was then I realised that it may be possible that one of the two full wave rectifier circuits may have been interferring with effective synchronisation? It just might be possible that one of the internal diodes to the rectifier bridge circuit was an open, or a short circuit?

This time I didn't bother analysing the possibilities, but went straight to the circuit board and replaced both bridge rectifiers. The result? - a success!, both channels metering as they should.


 

 
Connection CN-13 supplies the TDM 'clock' signal sourced from one of these full wave bridge rectifier circuits.


Meter display now working. 


After studying the schematic for the Nakamichi BX-150E, I noted too that the same metering technique is employed on that deck. And perhaps all the BX, and possibly the CR models too?


06/09/2026.
 
 

Wednesday, 22 July 2026

AKAI GXC-715D

AKAI GXC-715D

Initial Issues

  • Oxidized fascia, or seemingly so from advert.
  • No PLAY 
  • Seized head assembly
  • Seized reel brake system.
  • Later, discovered playback distortion mainly in the left channel.






Regarding the fascia, the gamble purchase paid off, as almost all of the apparent oxidized marks were gently removed. Using firstly warm soapy water and rinsing, followed later by 'painting' Basso on the surface, then allowing it to dry, the marks came off.

Basic Re-capping of the PSU

Before any examination of the dysfunctional PLAY action was investigated, the PSU had to be re-capped.

'No PLAY' identified

The PLAY solenoid was inoperative, and the mechanism had also seized up - this had to be freed, cleaned, and lubricated. Also new PNP solenoid transistors for Tr32 and Tr37 were inserted, they were the BD140. All good.

For now, the schematic showing some of the fixes, and some identified areas of interest.
Transport Images

Task - replace old idler with new RW/FF and take-up spool idler. 









 

 

Observe the 'flat' on the old idler tyre. This gave rise to a rapid repetitive 'knock' sound  during RW and FF. The idler in the background was not used, but another I had in stock was.
 

The new idler is permanently pressed up against the RW/FF/Take-up knurled gear. A design flaw?


Initially many screws were difficult to turn - at this point it is very important that perfect fitting JIS or Philips screw drivers are used. The reason is perhaps not obvious, but experienced technicians will tell you it is very easy to distort the head before the screw begins to turn. The area around the neck of each 'difficult' screw was soaked in acetone and cleaned, then later a warm freeing oil was applied, and allowed to 'work' its magic! I think the latter was the most effective treatment.

DC Motor Loading

Using the F3 fuse holder, the AC motor circuit current was measured. During a free-running period, IF3 ~ 31mA, and under PLAY conditions IF3 ~ 34mA. These are exceptionally low current figures, meaning that the effective DC current at the brush-commutator interface is even lower - excellent!  These figures translate into very low torque loading on the motor.

The motor pulley is made from aluminium and a 'press fit' on to the shaft, and so no attempt was made to remove it. With the motor out of circuit, it was powered separately, lubricated at the neck where the bearing resides, and the pulley was cleaned by gentle working of 400 grit paper to its profile. All residual marks were removed. All good.

PSU Measurements

With TR41 and TR42 being voltage regulator transistors, I thought it prudent to measure the DC emitter current under various load conditions for both. The reason being that the heat sink does get quite hot during long periods of PLAY and PLAY+RECORD. 

Emitter current readings IE were more convenient to make than collector current IC, and since IC ~ IE, we can exploit that convenience.


(a) T
R41: (VE to Earth ~ 5.5v)
VCE ~ 9.5v - 5.5v

Supplying: M54410P Logic, and lighting for commands.

No PLAY/REC/RW/FF: IE ~ 118mA. Command lighting uses 0mA.

PLAY:  IE ~ 240mA, includes PLAY lighting of approx 128mA

RECORD + PLAY: IE ~ 370mA, includes PLAY+REC lighting of ~ 260mA

RW/FF: IE ~ 240mA, includes RW/FF lighting of approx 135mA

Examining the TR41 transistor power consumption, and considering its highest working conditions, we have - 

P = VCE x IC = (9.5v-5.5v) x 0.370A, or approximately 1.5 watts. 

Both TR41 and TR42 are now BD139 NPN low power transistors, which have a rating of about 12.5 watts. They are both 'connected' to the original heatsink with new mica sheets.

 

(b) TR42: (VE wrt to Earth ~ 21.5v) VCE ~ 33v - 21.5v

Supplying: Audio record and playback sections, autostop, and bias oscillator. Command switch circuits.

No PLAY/REC/RW/FF: IE ~ 133mA

PLAY: IE ~ 137mA.

PLAY + REC: IE ~ 168mA. The bias oscillator now running.

P = VCE x IC ~ (33v-21.5v) x 0.168A, or approx 1.9 watts.

Although the power consumption isn't high, the heatsink does get quite hot. This wouldn't be an issue normally, however, the heatsink is close to the transport chamber. Disengaging the line to supply the command (PAUSE/REC/RW/PLAY/FF) lamps significantly reduces heat in that area, and so an LED based lighting solution will be sought in the future.

----------

Unregulated Voltage Supplies

Collector of TR42, unregulated (33v..32v) supplies PAUSE solenoid.

Collector of TR41, unregulated approximately 9.5v supplies Reel Motor and PLAY/REC solenoid logic only.

PLAY, RECORD, and brake solenoids are supplied from the 'D3' labelled full wave rectifier, and C8.

This article on the restoration of the AKAI GXC-715D remains unfinished, therefore expect alterations, corrections, and additions.

Muting Transistor Fix

Tr18 was removed, fixing an issue with distortion.

03/08/2026

 

Monday, 22 June 2026

AKAI GX-F31 Cassette Deck

 AKAI GX-F31

The AKAI GX-F31 with 
a wood effect vinyl wrap.


Distortion of Output at Line Out and Headphone.
 
After playing the deck for a short while, distortion began to 'creep' into the left channel and also began to fade in volume. 
 
The fault was difficult to pin point so as a basic starting base I re-capped the PSU (Power Supply Unit) and later re-capped most of the area surrounding the Dolby IC. However, this made no difference.
 
On injecting a test tone of 1Khz at line in, the muting at the source terminal of JFET 2SK177 was good, but not at this JFET's drain side for the left channel - there was no signal here for audio line out.
 
Much later, it was only 'by chance' I checked various DC voltages around the Dolby circuit and the sound mute area that I discovered that two electrolytic capacitors C97 and C97b were in opposite polarity to that suggested by printed circuit board markings. 
 
These voltages across 'C114' (according to the service manual) where in fact marked as C97 on the actual board were approximately -6v. This is the correct voltage, but as stated above the original electrolytic capacitors were placed incorrectly.  
 
 

 
Over a period of time 'C114' must have begun to break down and the internal electrolyte deteriorated to such an extent that the capacitor was partially conducting?
 
In the mean time, prior to knowing what the fault was, both JFETs Tr36 (2SK117) were removed and the source and drain connections were shorted. This allowed the AKAI GX-F31's audio to work, but at the cost of no muting.
 
Once the fault was rationalised, and new caps were put into circuit at opposite polarity to that printed on the PCB at C97 and C97b, a search for a suitable JFET had begun. 
 
In my stocks I have some 2SK30A, 2N5457, J113, and other N-channel JFETs. 
 
For the muting to work, the Gate to Source Vgs(OFF) voltage will have to be negatively high enough to invoke n-channel depletion, or a 'pinch off' state of the n-channel semiconductor.
 
A temporary three-pin 'platform' or 3-pin 'mount' was soldered in so various JFETs could be tested without resorting to soldering and de-soldering on the main board. A 2N5457 tested fine, but so too did the J113. The latter is not normally used for audio applications, but it's job in this context would be to - 
 
(a) act as a small resistance path during PLAY, REC/PLAY, or 
 
(b) to act to impede signals (very high resistance) to line out during the depleted n-channel or Vgs(OFF) state.
 
 

Note: the original pin-out configuration from this view is: Drain, Gate, Source, but the J113 pinout is Drain, Source, Gate, so the leads had to be carefully bent to fit the configuration.
 
The J113 JFET solution works flawlessly.
 
Muting Circuit Analysis
 
This line out muting circuit is unusual, and rather complicated. I wondered why AKAI adopted this design?, perhaps it was 'just to be different' and so they (like others) could claim this to be another new design? 
 
There are two switching voltage lines -
 
(a) At '-7.3v' or actually measured as -7.44v permanently, and ...
 
(b) the other line switches between +26.2v (Mute=ON) and -3.2v (Mute=OFF). 
 
Here and below, these are represented by a single equivalent voltage source for simplicity. It is assumed their Thevenin equivalent impedance is low.
 
 
 
Line out MUTED
 
This occurs when the GX-F31 is not in PLAY, and REC+PLAY modes.
 
The RL resistance is an additional and there merely for completeness, it plays little part in the muting analysis. 
 
An assumption was made, and that was - the transistor's base-emitter junction when forward biased exhibits an approximate dc resistance of 1K ohm, perhaps more typically up to 1.5 K ohms. 

Confusion must not be made with dynamic (small signal) resistance 1/hoe. 




Line Out Not MUTED


This is a hand written approximation, no simulation software used, although later the figures were verified by measurements. 
 
 23-06-2026
 
The content of this article
may be modified or corrected  without notice